Poets in March: Alice to Emily
ALICE
posted some fragments this month: any new undertaking
has a way of
severely compromising the balance of what is.
When I became moderator it took months for me to get into the way of 'writing
poetry as well'. I've noticed the same thing happening with the new web
venture especially as I'd not been writing for some time before that. At
present I'm not happy with either my writing or the web site, and it's
causing some tetchiness. This isn't false modesty, rather, I'm trying to
see the wood and the trees, and still do right by the echo and my
own talent. After all, without the Echo and the Echo poets there
isn't a lot to make a fuss about is there ? Presently I'm not meeting
my own standards but I am pleased that the attempt is at least showing
me potential ways forward. The first fragment was posted in a reply to
Porcelina Spring.
children
bark in the playground,
and the
old dog twitches under
the forgotten
milk stand by the gate
but most
of us never escape
the dry
wind from the west
The thought is there, unformed, and the sense
that most of us never
climb out of the playground and playground mentality.
But it is no more
than a fleeting glance. On the other hand, You
Press your Button, I'll
Press Mine is a complete poem, without
much to it. What it does do is
to express the place my mind and poetry is in,
and has been for far too
long.
This poem will not run
through the synapse, call to mind
a summer's day: will not
fizz in the spine, or pop
into the awareness of the same,
it needs frames, and refrains,
it needs pauses, it needs stops,
it needs tension where it flops
and declines.
I liked Pause on re-reading it. It takes
inspiration from Chinese
poems and from my own garden - but again, the
content is reasonably
shallow. Good exercise but little else beyond
hopefulness
Bells in the courtyard trace
the breeze that wanders wistfully
among the restless trees.
Now open, open
to the sunlight's shifting
gaze, and hold
till stillness comes,
a blessed, golden phrase.
Soul Sings on the other hand, does say
something. It came from a
discussion with a composer about how the medium
of one's art is also a
medium for listening to oneself, and of finding
out what is going on
under the ceaseless activity. It is also about
the way our ignored
emotions tend to burst out at the wrong moment
and in the wrong way if we don't process them through the pen or keyboard.
How does one open to the beast,
the soul self whispering,
before it overcomes
and with uncomely violence
screams out her secrets to indifferent
worlds who shrug and gossip,
dribble privacies before they go,
their ways, their ways:
BOB had a special
moment in Real Life this month. He was invited to read his poetry before
a mixed audience which was not terribly literary. By popular request he
was given more time than was originally allotted and rousing applause at
the end. He also posted "Sunset", a restless,
energetic and provoking description of a real
sunset.
so colours spread across the lea
cloud patterns, layers, twists and swirls
makes the human mind just whirl
colours start with brilliant scarlet
painting clouds across the inlet
yellow, orange, purple, blues
melding in delightful hues
slowly fading, chasing the sun
as she goes to her night run
EDDIE's BBS closed down:
He came on to tell us that he wouldn't be back for a while. Some of his
poetry has appeared on the Web Site, in the Retrospective section. He did
most of the layout himself, and chose the poems.
EMILY hasn't been
seen often. She did post, as part of a message, this
holiday experience.
Clear as
a bell
I see the
water
Crystal
clear
Rich royal
representing blue
Looking
deeper I then knew
I could
see a dolphin
First I
could see its fin
Grey like
dismay
Yet the
dolphin had a cute bottle top nose
It would
pose
In the water
Twirl'n'swirl
Round and
round
As it it
were doing a special dance for me
"Marching ON"
3 : The Poets
Ewan - Heather
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